Regardless, Papyrus is no longer as naive, narcissistic, and egotistical as he once was in the Underground due to him being a partial reason of the death of Sans, so he has developed a way to not think of himself as perfect but has shown his more pure heart, to where he knows he must help everyone and comfort them. He has also thought of to be rather naive by the other characters, but not dumb as shown in Game Over Part 1. Even if they decide to kill him, he still believes that they could redeem themselves. Frisk can use this opportunity to easily kill him. For example, in the game, when Frisk approached him while in the genocide route, he still believed that they could become a better person. But, he can tend to forgive others way too easily. He is very a forgiving and sympathetic monster, as shown in Do or Die, when he forgave Jessica Grey after she apologized for playing a role in Sans' death. Papyrus has proven to have a very pure heart. He is wearing a brown shirt in this one but still wears his signature red scarf and red gloves.Īfter his fight with the pink creatures, his shirt is seen to have a lot more holes in it. In Game Over Part 2, he's seen in a much more casual outfit due to his "battle body" being broken. He also wears grey clothing that covers his arms, hips, and legs, red gloves with yellow trim, a blue brief with yellow trim, and red boots with black stripes. He wears a red scarf, a chest plate with yellow trim, and a golden symbol on his left chest. We couldn’t be prouder of how the team came together to produce a film that does that so beautifully.Papyrus is a skeleton who is relatively taller and slightly slimmer than his older brother, Sans. Tom Box, Co-founder of Blue Zoo said, “As a studio it is our ambition to use animation to make a positive impact on the world. The film’s message is one that is close to my heart and I’m proud to be part of something that could save lives.” The Blue Zoo choir remotely recorded an emotive rendition of ‘True Colours’ to accompany the film.ĭirector, Mark Spokes, said, “Working with PAPYRUS and Blue Zoo on Sinking Feeling was an uplifting and enriching experience, especially in the midst of lockdown. More than 60 artists volunteered to help on the animation project which took four months to complete. With the challenges that 2020 brought, now more than ever Blue Zoo have worked to use their talent and platform to help others so they reached out to PAPYRUS to lend their support. The collaboration between PAPYRUS and Blue Zoo Animation Studio is timely as this year’s theme for World Suicide Prevention Day is ‘Creating Hope Through Action.’ “The film challenges me to reach-in when a young person might be distressed, ask how they are, to really hear them, to offer help and to assist life itself.” They feel sad, isolated, worthless, bewildered, in emotional turmoil with seemingly no way out.
“Sadly, in real life that’s exactly what many young people are experiencing right now. Ged Flynn, Chief Executive of PAPYRUS, said: “This remarkable animation captures the overwhelming struggle of a young person who is literally sinking below the surface, weighed down, unable to function normally, incapable of keeping up and close to giving up on life. The animation signposts to PAPYRUS and its HOPELINEUK service which offers confidential help and support to young people and anyone who is concerned for a young person who may be thinking of taking their own life. We hope this animation will encourage more people to spot the signs and reach-in to guide young people away from thoughts of suicide.
Sinking Feeling tackles the heart-breaking reality that many children and young people are suffering in silence without the vital help and support they need, according to PAPYRUS Prevention of Young Suicide. This World Suicide Prevention Day, PAPYRUS has launched Sinking Feeling – our brand new animation created in collaboration with the BAFTA Award-winning animation studio, Blue Zoo. ANIMATION SHARES HOPE ON WORLD SUICIDE PREVENTION DAY
0 kommentar(er)
